About Spirited’s Healing Music
The Psychedelic Symphony
"Spirited specializes in creating consciousness-expanding organic music that
triggers an orchestra of emotions while taking your mind on a psychedelic journey.
Their music is entirely self-created and cannot be verified by any genre of electronic music
because there are no boundaries and limits to these experimental new symphonies –
the tempo and patterns of the music are always in a state of transformation,
creating a unique listening and dance experience.
Their Music creates fascinating soundscapes by integrating nature sounds,
healing frequencies, stimulating trance beats, traditional instruments
and transforming spiritual messages that tune your brainwaves
into multiple dimensions of consciousness."
A Live Act by Spirited is always extraordinary. Synthesizers, effect machines
and live e-guitar (and percussions if requested) guarantee an unforgettable
Live Show. Also the imaginative Outfits and the Live Mask Dance by
Anna the Tree Fairy as well as their own visuals complete the
multi-sensorial experience.
History of Healing Vibration
Article for
Psychedelic E-Magazine
by Misha, 2014
Each and every one of us possesses or
is gifted with at least one talent that connects us to
this universe, that one special
thing which makes us who we are. For us as
for many others out there, it has been creating outrageous music. This bond is an eternal one, which
resides lifetime after lifetime within our consciousness, which links us to who we have been
and will be. It is the universal identity that we carry around which
projects our true consciousness.
Creating music is a sacred ritual;
A bond within you and the universal energy that surrounds you, a communication process that can be
very addictive and irresistible at the beginning.
Learning the true nature of
vibration and its behaviour, what it means to be in control
over the resonance that you create
is an enlightening experience.
Healing Vibrations have been a part
of the human existence since the very beginning.
Sparse writings of ‘Rudolf Steiner’
discuss the musical system of the ancient Lumarians and Atlanteans. The Lumarians used to listen to a
descending musical scale, in which the smallest distance between adjacent tones was
equivalent to nine of our notes!
This music connected the listener
with the divine. The Atlanteans claimed to have had a descending musical
scale with the notes closer together, yet
neighbouring notes still represented seven of our musical notes and had the
ability to connect the listener to his or
her own divine spirit.
According to historical documents
ancient Egyptian and Chinese music was
believed to be a very powerful controlling influence on the population at
that time.
Ancient Egyptian rulers regulated
laws and controlled the music that people were listening to simply by being able to control the
vibrations, this way they had a strong influence over the public. According to Ananda Bosman,
international researcher and musician,
ancient Egyptian instruments that
have been unearthed are largely tuned to A=432Hz.
The ancient Chinese believed that
each musical note was a connection to the divine spirit within them. Ancient
Chinese rulers orchestrated concerts with 10,000 players, making plentiful and powerful
connections to the divine. They used twelve notes; each note was five of
our notes apart and was referred to as the ‘Lu Scale’. Musical notes sounding more like
floating sounds similar the wind chimes, with no beginning or ending. Descending tones that were said to
amplify imagination.
The Ancient Greek created modes
through tetra chords, which characterized personalities.
Two groups of four notes each
created modes, which resembled our scales.
The modes were evenly named after
people who preferred its mood.
According to Steiner, this musical
system enabled spiritual energy
to ascend to a greater level.
Most of these sounds were lost as
many languages became extinct over the years.
Sanskrit, Latin and Ancient Hebrew
are some of the few languages that reflect the lost
sounds of former civilizations. As
civilizations went through a changing process, so did their languages in subtle ways, bringing about
mental, emotional, and physical alterations
in societies exposed to the
different sounds. As a result in ancient Greek times,
children were not exposed to vowel
sounds, as the associated energies were considered
too stimulation during people’s
early formative years.
As far as healing frequencies are
concerned, through historical research you will
come to find that the ancient Greek
tuned their instruments predominantly to 432Hz.
Within the Ancient Greek Eleusinian
Mysteries, Orpheus is the god of music, death and rebirth,
and was the keeper of the Ambrosia
and the music of transformation. His
instruments were tuned at 432Hz.
Guiseppe Verdi, an Italian composer,
placed A exactly at 432Hz. He did
this because this tuning is ideal for opera voices.
Jamie Buturff, sound researcher,
found out that some Tibetan monks used this tuning
in their hand-made instruments.
This musical tuning can be found throughout various religions and cultures of the ancient world.
Before 440Hz became the standard,
a variety of tunings were used. The
controversy over tuning still rages, with
proponents of 432Hz claiming it as being more natural than
the current standard.
Llewelyn S. Lloyd described in the
Journal of the Royal Society of Arts (1949), his innate drive to “tune-up” to a
“brighter,” more soothing and inspiring frequency than A-440Hz.
The British author and composer
expressed his preference for precisely A-444Hz tuning,
which manifests the C-5-pitch at
528Hz. He wrote that this 4Hz higher pitch is more generally pleasing for musicians worldwide. 528Hz is a
frequency that is central to the “musical mathematical matrix of creation”.
More than any sound this frequency,
which is also, known as the “Love Frequency”
resonates at the heart of everything.
Before coming into any healing
frequency it’s more important to know about 8Hz.
It is said that 8Hz is the
fundamental “beat” of the planet.
The heartbeat of the Earth is better
known as Schumann resonance and isnamed after the physicist Winfred Otto
Schumann, who documented it mathematically in 1952.
The use of Healing Vibrations is
been rediscovered, it has been a part of the human
existence and evolvement since the
very beginning of every civilization know &
unknown.
“Our lives are surrounded by vibrations that keep us aligned with the universe, change your
vibration and you change the world around you” – Spirited™
By Misha Whirlwind Head of New Earth Music at New
Earth Nation
Executive Producer, Composer,
Conceptualizer – Spirited
About Spirited’s Healing Music
The Psychedelic Symphony
"Spirited specializes in creating consciousness-expanding organic music that
triggers an orchestra of emotions while taking your mind on a psychedelic journey.
Their music is entirely self-created and cannot be verified by any genre of electronic music
because there are no boundaries and limits to these experimental new symphonies –
the tempo and patterns of the music are always in a state of transformation,
creating a unique listening and dance experience.
Their Music creates fascinating soundscapes by integrating nature sounds,
healing frequencies, stimulating trance beats, traditional instruments
and transforming spiritual messages that tune your brainwaves
into multiple dimensions of consciousness."
A Live Act by Spirited is always extraordinary. Synthesizers, effect machines
and live e-guitar (and percussions if requested) guarantee an unforgettable
Live Show. Also the imaginative Outfits and the Live Mask Dance by
Anna the Tree Fairy as well as their own visuals complete the
multi-sensorial experience.
History of Healing Vibration
Article for
Psychedelic E-Magazine
by Misha, 2014
Each and every one of us possesses or
is gifted with at least one talent that connects us to
this universe, that one special
thing which makes us who we are. For us as
for many others out there, it has been creating outrageous music. This bond is an eternal one, which
resides lifetime after lifetime within our consciousness, which links us to who we have been
and will be. It is the universal identity that we carry around which
projects our true consciousness.
Creating music is a sacred ritual;
A bond within you and the universal energy that surrounds you, a communication process that can be
very addictive and irresistible at the beginning.
Learning the true nature of
vibration and its behaviour, what it means to be in control
over the resonance that you create
is an enlightening experience.
Healing Vibrations have been a part
of the human existence since the very beginning.
Sparse writings of ‘Rudolf Steiner’
discuss the musical system of the ancient Lumarians and Atlanteans. The Lumarians used to listen to a
descending musical scale, in which the smallest distance between adjacent tones was
equivalent to nine of our notes!
This music connected the listener
with the divine. The Atlanteans claimed to have had a descending musical
scale with the notes closer together, yet
neighbouring notes still represented seven of our musical notes and had the
ability to connect the listener to his or
her own divine spirit.
According to historical documents
ancient Egyptian and Chinese music was
believed to be a very powerful controlling influence on the population at
that time.
Ancient Egyptian rulers regulated
laws and controlled the music that people were listening to simply by being able to control the
vibrations, this way they had a strong influence over the public. According to Ananda Bosman,
international researcher and musician,
ancient Egyptian instruments that
have been unearthed are largely tuned to A=432Hz.
|
The ancient Chinese believed that
each musical note was a connection to the divine spirit within them. Ancient
Chinese rulers orchestrated concerts with 10,000 players, making plentiful and powerful
connections to the divine. They used twelve notes; each note was five of
our notes apart and was referred to as the ‘Lu Scale’. Musical notes sounding more like
floating sounds similar the wind chimes, with no beginning or ending. Descending tones that were said to
amplify imagination.
The Ancient Greek created modes
through tetra chords, which characterized personalities.
Two groups of four notes each
created modes, which resembled our scales.
The modes were evenly named after
people who preferred its mood.
According to Steiner, this musical
system enabled spiritual energy
to ascend to a greater level.
Most of these sounds were lost as
many languages became extinct over the years.
Sanskrit, Latin and Ancient Hebrew
are some of the few languages that reflect the lost
sounds of former civilizations. As
civilizations went through a changing process, so did their languages in subtle ways, bringing about
mental, emotional, and physical alterations
in societies exposed to the
different sounds. As a result in ancient Greek times,
children were not exposed to vowel
sounds, as the associated energies were considered
too stimulation during people’s
early formative years.
As far as healing frequencies are
concerned, through historical research you will
come to find that the ancient Greek
tuned their instruments predominantly to 432Hz.
Within the Ancient Greek Eleusinian
Mysteries, Orpheus is the god of music, death and rebirth,
and was the keeper of the Ambrosia
and the music of transformation. His
instruments were tuned at 432Hz.
Guiseppe Verdi, an Italian composer,
placed A exactly at 432Hz. He did
this because this tuning is ideal for opera voices.
|
Jamie Buturff, sound researcher,
found out that some Tibetan monks used this tuning
in their hand-made instruments.
This musical tuning can be found throughout various religions and cultures of the ancient world.
Before 440Hz became the standard,
a variety of tunings were used. The
controversy over tuning still rages, with
proponents of 432Hz claiming it as being more natural than
the current standard.
Llewelyn S. Lloyd described in the
Journal of the Royal Society of Arts (1949), his innate drive to “tune-up” to a
“brighter,” more soothing and inspiring frequency than A-440Hz.
The British author and composer
expressed his preference for precisely A-444Hz tuning,
which manifests the C-5-pitch at
528Hz. He wrote that this 4Hz higher pitch is more generally pleasing for musicians worldwide. 528Hz is a
frequency that is central to the “musical mathematical matrix of creation”.
More than any sound this frequency,
which is also, known as the “Love Frequency”
resonates at the heart of everything.
Before coming into any healing
frequency it’s more important to know about 8Hz.
It is said that 8Hz is the
fundamental “beat” of the planet.
The heartbeat of the Earth is better
known as Schumann resonance and isnamed after the physicist Winfred Otto
Schumann, who documented it mathematically in 1952.
The use of Healing Vibrations is
been rediscovered, it has been a part of the human
existence and evolvement since the
very beginning of every civilization know &
unknown.
“Our lives are surrounded by vibrations that keep us aligned with the universe, change your
vibration and you change the world around you” – Spirited™
By Misha Whirlwind Head of New Earth Music at New
Earth Nation
Executive Producer, Composer,
Conceptualizer – Spirited
|